Gulistan Art 古丽·斯坦

周榕

清华大学建筑系教授

漫游欧洲系列-梦境

很多人会把艺术理解为一种美化生活的方式，而Gulistan古丽斯坦的艺术创造了新的生活。建筑确实需要光，在茫茫黑夜里面很难感受到建筑的魅力。Gulistan古丽斯坦的作品没有外在的光，光来自自己内部。她的光源是主观的，是思想投射出来的光芒。Gulistan古丽斯坦作品会像花园建筑，像人类精神的花园，有精神生活的丰盛性。她在经营自己精神的花园。每幅作品都像一个常开不败的花园，于其中，建筑与艺术辉映了文明的程度。

Gulistan古丽斯坦作品里的诗意在我看来是一种怜悯，虽然这种怜悯非常淡，但是非常的深沉。这样的一种怜悯感是对万物在时间中存在生长，那么同时又在时间中消逝的一种怜悯的道行。这样的一种怜悯的状态其实也是一种慈悲的诗意。那么这也是艺术的真正的本源和深意所在。

Laura Barbarini

Presidente dell’International Federation of Female Artists

L’International Federation of Female Artists è particolarmente lieta del riconoscimento che viene conferito all’opera di On Gulistan con l’importante mostra delle sue opere pittoriche al National Museum of China di Pechino che si terrà nel mese di aprile di questo anno.

Un meritato riconoscimento per questa artista che da molti anni dedica il suo lavoro a diverse discipline artistiche. E che in questa esposizione presenta un nucleo consistente di opere che testimoniano il suo percorso creativo nell’ultimo ventennio nella pratica pittorica.

La pittura di On Gulistan è estremamente raffinata e nelle sue opere l’originale eleganza compositiva è sempre accompagnata da una fantasiosa sensibilità poetica.

The Shape of Gulistan’s Psyche

On Gulistan ci permette, attraverso il suo lavoro, di accedere al suo mondo femminile con la creazione di immagini che traggono spunto dalla realtà, una realtà di oggetti, figure e natura che è però sempre filtrata dalla sua visione interiore ricca di invenzioni e associazioni fantastiche.

Dalle sue opere emerge il forte legame che questa artista ha con la tradizione pittorica cinese ma anche la particolare attenzione che ha costantemente rivolto alla tradizione pittorica dell’occidente ed in particolare a quella italiana.

On Gulistan afferma con la sua pittura ,il ruolo determinante delle artiste donne nella società contemporanea, le quali con il loro lavoro creativo offrono un consistente contributo allo sviluppo e alla crescita culturale. Attraverso la creazione artistica pongono interrogativi e forniscono indicazioni di percorsi da compiere per una sempre maggiore integrazione tra le differenti culture riducendo le distanze culturali, sociali e di costume tra i popoli.

劳拉· 巴巴里尼

国际女艺术家联合主席

意大利国际女艺术家联合会对今年4月即将在北京中国美术馆举办的Gulistan古丽斯坦个人绘画展感到非常的高兴，并对她的作品表示高度的认可。

对于这位多年来致力于不同艺术学科的艺术家而言，这次展览是当之无愧的认可。在本次展览展出的作品核心也是证明了她在过去二十年的绘画实践中的创作之路。

曾经的辉煌III

Gulistan古丽斯坦的绘画精致绝美，在她的作品中的高雅构图也总是带着想象力的诗意感。Gulistan古丽斯坦从属于物质世界中的物品、人体和自然获得灵感，带领我们进入她的女性世界并了解她对物质世界的奇思妙想和梦幻般的视觉感知。

在Gulistan古丽斯坦的作品中会发现她不仅与中国传统艺术绘画有着深厚的联系，也持续关注着西方传统艺术绘画，特别是意大利传统艺术绘画，这两个元素在她的作品中都体现了出来。

Gulistan古丽斯坦通过她的作品确认了女性艺术家在当代社会中起到了决定性的作用，并强调女性艺术家的创造性作品为文化的发展与增长做出的巨大的、持续性的贡献。她通过艺术创作提出问题，并指明了如何促进不同文化之间实现融合的道路，并减少各民族、文化和习俗之间距离的新方向。

Fan Yong

Dean of Asia Institute of Art & Finance (AIAF)

Memory of the portrait － Prayer of the earth

Goethe once sighed with emotion in his poet’s romantic brushwork: “Beauty is actually an original phenomenon, although it never appears in itself, but it is reflected in the countless different manifestations of the creative spirit, which can be witnessed, and it is in harmony with nature. Just as colorful.” In the art world, Gulistan’s gentle, delicate and elegant brushstrokes are like a clear stream in nature, a bird chirping, or a soft moonlight, never deliberately carved, but can naturally make the viewer feel like a spring breeze. At the same time, the work also carries a sense of historical heaviness. The two civilizations of the east and the west meet naturally. The characters in Gulistan’s paintings have both the serene Zen of traditional Chinese Buddha statues and the tranquility and solemnity of ancient Greece. The colors of Napok yellow and Van Dyke brown are intertwined and reminiscent To the connotation of the winding and continuous landscape painting. Through the integration of fragmented, fragmented and discontinuous images, the story scrolls full of exotic sense unfold slowly. This sense of foreignness may contradict the intimacy of color, but in the process of viewing flashbacks of consciousness, this contradiction leads to classicism and romanticism, past and present, individual and collective consciousness completed again and again Silent communication. Gulistan does not follow the script of classicism. In her writing, the classic techniques and artistic conception are reborn, just like the new shoots from the dead wood, which have both the color of hope and the fragrance of life.

范勇

亚洲艺术品金融商学院院长

向经典致敬

歌德曾用他诗人的浪漫笔触如是感慨过：“美其实是一种本源现象，它本身固然从来不出现，但它反映在创造精神的无数不同的表现中，都是可以目睹的，它和自然一样丰富多彩。”在艺术世界中，Gulistan古丽斯坦温婉、细腻而优雅的笔触宛如自然界中的一道清溪，一声鸟鸣，又或者是一道柔和的月光，从不刻意雕琢，却能自然而然令观者感到如沐春风。与此同时，作品又同时承载着一丝历史的厚重感。东西两种文明自然而然地交汇了，Gulistan古丽斯坦笔下的人物同时兼具了中国传统佛像的安详禅意与古希腊的宁静肃穆，拿波克黄与范戴克棕的色彩交织又让人联想到山水画逶迤绵延的意蕴。通过对碎片化、片段性、非连续图像的整合，充满异域感的故事画卷徐徐展开。这种异域感或许与色彩给人的亲切之感有些矛盾，但在意识闪回般的观赏过程中，这矛盾引领着古典主义与浪漫主义，过去与现在，个人与集体意识完成了一次又一次无声的交流。Gulistan古丽斯坦并不对着古典主义照本宣科，在她的笔下，经典的技法和意境重获新生，就像枯木上重新抽出的新芽，既有希望的色彩，也有生命的芬芳。

Yuan Wenbin

Professor of Tianjin Academy of Fine Arts

Gulistan is a beautiful and talented female painter. In my impression, she is always quiet, gentle, intelligent and elegant. Perhaps because of her mysterious blood, her paintings are both exotic and poetic from the East.

Wandering Reader

Gulistan herself is like a painting, she is always so delicate and beautiful, aesthetic Lyric; and her painting is like a poem, she is good at using fragments of image symbols, jumping thinking image, to express time and memory in her painting, creating a familiar strange feeling on the canvas. She likes all the beautiful and historical images, from the ruins of ancient Rome to the crane palace of song Huizong, from the side statue of ancient Greek goddess to the delicated hand reading poetry, from the Persian pattern of the Silk Road to the European beautiful scenery of the Mediterranean, all the beautiful things can arouse her interest in painting. She is good at using bright colors and elegant gray block to create a quiet picture effect. The simple plane picture is full of modern feeling. There is no specific narrative in her paintings, only poetic feelings. Gulistan and her paintings make people feel like a lyric light music, with both classical nobility and modern fashion. There is no secular pyrotechnic atmosphere, shielding the hardships and troubles in life, and only showing their best side to the world.

Musical notes of the earth

Gulistan uses the unique sensitivity of female painters to depict the clear sound of mountains and rivers, the feeling of empty valley and blue land, and the joy of all things growing. She has the romantic gaze at the flowers, the philosophy of Cultural Meditation, and the noble dialogue with the classic. This is a female painter’s colorful spiritual world, a poetic spiritual life.

袁文彬

天津美术学院教授

Gulistan古丽斯坦是一位美丽而富有才情的女画家，在我印象中，她总是神情恬淡，语调温婉，知性而优雅。或许正因为她神秘的血脉，所以她的作品也是既有异域的风情又有来自东方的诗性。

东方的漫游-花语

Gulistan古丽斯坦自己就像一幅画，她总是那么的精致靓丽，唯美抒情；而她的画又像一首诗，她擅长运用片断的形象符号，跳跃的思维意象，把时间和记忆表现到自己的画中，在画布上营造出一种熟悉的陌生化感觉。她喜欢一切精美而有历史感的形象，从古罗马断垣残壁到宋徽宗的仙鹤皇宫，从古希腊的女神侧像到翻看诗书的纤纤玉手，从丝绸之路的波斯纹样到地中海的欧州美景，一切美好的事物而都能唤起她作画的兴趣。她擅长运用的鲜亮的色彩和优雅的灰色块搭配，营造出恬淡而宁静的画面效果，平面单纯的画面富有现代感。她的画中没有具体的叙事，只有诗性的情怀。Gulistan古丽斯坦的人和画又让人感觉像一首抒情的轻音乐，古典的高贵和现代的时尚兼而有之，没有世俗的烟火气，屏蔽掉生活中的艰辛和烦恼，只向世人展现出自己最美好的一面。

触摸经典

Gulistan古丽斯坦用女画家特有的敏感描绘高山流水的清音，空谷幽兰的情愫，万物生长的欣喜。她有凝视花开的浪漫，有文化冥想的哲思，更有只与经典的对话的高贵。这是一个女画家五彩斑斓的精神世界，一个诗性情怀的心灵生活。

赵林

武汉大学哲学学院教授、博士生导师

记忆中的肖像－纯真年代II

Gulistan古丽斯坦的作画，宛如其人，轻盈飘逸，空灵幽幻。她的组画《记忆中的肖像》，融通中西，纵贯古今，将时间和空间在记忆的元素中汇聚重组，整合成一幅幅既朦胧淡泊、又明晰可亲的清纯画面，其间既有闲情逸致的花香鸟语，又有神秘幽邃的天苍海碧。东方亮丽的鹅黄与西域忧郁的浅蓝交相辉映，波斯花卉的天方遐想与拜占庭镶嵌的金色梦幻氤氲萦绕；罗马皇帝的昔日辉煌犹如过眼烟云，土耳其宫女的今世诱惑不过昙花一现。白驹过隙，映射出达利的永恒记忆；仙鹤飞天，显现出佛家的真如智慧。还有东山魁夷幽远宁静的山林水泽与蒙克躁动翻涌的天空云彩，更是把现实与梦幻在时空的记忆中砸碎揉合。观赏Gulistan古丽斯坦的画作，不仅有悠远的审美意韵，而且有深邃的哲理启迪，方感人生在世不过南柯一梦，浓墨重彩无非博人一笑，轻描淡写才是生命和艺术之真谛。

Gulistan古丽斯坦的画作，宛如其人，一言以蔽之，就是“清纯”二字。没有任何矫饰的天真无邪，犹如古希腊的心灵纯洁而永生的孩童，苍穹万象、天工巧匠，尽在率性流露之中，展现了朴实无华的本真之美。

Zhao Lin

Professor and doctoral director, School of philosophy, Wuhan University

Memory of the portrait －Beautiful age II

Gulistan’s painting is like herself, light and elegant, ethereal and illusory. Her group painting “portrait in memory”, which integrates Chinese and western, runs through the ancient and modern times, gathers time and space in the elements of memory, and integrates them into a pure picture which is not only obscure and indifferent, but also clear and amiable, in which there are both leisurely and leisurely flowers and birds, and mysterious and profound sky and sea. The bright yellow of the East and the melancholy light blue of the western regions complement each other, the reverie of Persian flowers and the golden dream inlaid by Byzantium linger; the former glory of the Roman emperor is like a passing cloud, and the present temptation of Turkish palace ladies is only a flash in the pan. The passing of a white horse reflects Dali’s eternal memory, and the flying crane shows the true wisdom of Buddhism. In addition, the quiet mountains, forests and rivers of Kaii Higashiyama and the restless clouds in Munch’s sky smash reality and dreams in the memory of time and space. Gulistan’s paintings not only has a long-term aesthetic charm, but also has profound philosophical enlightenment. Just feels that life is nothing more than a dream of Nanke. Thick ink and heavy color is nothing more than a smile. Understatement is the essence of life and art.

Gulistan’s paintings are just like herself. In a word, they are pure. Innocence without any affectation is like a pure and eternal child in ancient Greece. All things in the sky and the craftsmen of heaven reveal their simplicity and beauty.

He Yunlan

Consultant of China Women Painters Association, director of Chinese Painting Association, painter

Gulistan’s works have been highly appraised by Mr. Huang Du, a well-known international curator and contemporary art critic, who thinks that she is a contemporary artist with unique aesthetic taste who draws inspiration and energy from the classics and returns to elegance in a post-modern way. This is completely different from the general comment of “superb skill, gladden the heart and please the eye”.

Contemplating the Middle Ages I

In recent years, Gulistan’s paintings have further expanded and dived further, requiring a more complete layout and more individuality. A more powerful expression, the most representative of which should be this “Memory of the portrait-Self-gaze”. This is developed from a small painting of two people playing a game many years ago. Completed in 2019. The works are still elegant and gentle, but the air is very strong; the techniques are still simple and simple, but the careful examination is richer and more refined. In the center of the picture are two busts. They are similar but different. The lower part of the painting is like a mountain, like water, like clouds and mist, like a sensible natural dream, and like the original prehistoric universe? They are not the existence of reality, but the existence of people and nature structured by the author with montage technique, expressing that “You have me and I have you”, “Dao that can be daoed(dao in Chinese that has one meaning means express)is not the true Dao” philosophical thinking, virtual intertwined close relationship. The chaotic and sacred atmosphere created by the whole picture tells us that their gazes are both projected to each other and inwardly watching. Only such feedback and thinking involve deeper propositions.

Gulistan is not just immersed in it with the audience, think about human beings themselves, the relationship between people, and the relationship between people and nature. Wings are also given to the protagonists to symbolize the freedom and hope that reflective human beings may have. Just like herself, she advocates the free and uninhibited flying of the mind, and is always in touch with the blood of her family and country. And when the epidemic is raging all over the world.. This creation undoubtedly more profoundly interprets the essence of the work originating from great love!

Tribute to the classics VI

In fact, no matter which series of Gulistan’s works, the common theme is love. Without love, how can beauty pass and forever? Without thought, how can there be deep power? When these two are combined, and touch our heartstrings with both classical and modern artistic language, we will be deeply moved; we will realize that because of love, gentleness can also be very powerful!

Gulistan’s paintings are very unique and highly recognizable in the painting circle with serious homogenization and bright surface. This insistence on painting concepts and individual language requires strong inner motivation. Must also have comprehensive artistic literacy. Her works are poetic and musical, spanning time and space, but leaving room for the viewer’s imagination. As a result, more and more people read and fell in love with her works.

This painting is relatively large and has strong appeal. It is suitable for collection in art museums or for decoration in living room clubs with large space. I believe that the audience will stop and stare at the work before the painting, echo Gulistan’s love and thinking together, and look back at their hearts together, hoping that both themselves and the world will become better! This is the value of excellent contemporary works!