Gulistan Art 古丽·斯坦

Shang Jie

Professor, researcher at the Institute of Philosophy, Chinese Academy of Social Sciences

Gulistan’s series “Essence of Memory”, “Memory of the portrait”, “Tales of time” series is not a simple “memory” as people call it. It is a “cultural memory”. It is Gulistan’s unique personal life experience, personal cultural temperament, The breath and her unique blood source give her a complex of “cultural memory”.

Memory of the portrait － Whisper

Gulistan’s works always reveal “poetic”and “musical”, expressing her subconscious diversity. This diversity is not displayed at the same time. This diversity appears in sequence in the flow of consciousness, just like The soul dances with the music melody, you only need to enter the breath of her picture to recite it.
Intuition and duration cannot be analyzed and cannot be simply explained and defined. Bergson calls intuition, resonance, a kind of simultaneous implication or induction, that is, I and other things introduce… into… and then resonate.In this information age accompanied by the Internet, Gulistan uses “Essence of Memory” to awaken human beings’ nostalgia for the spiritual homeland, as a reminder of life and intuition.

Tales of time II

The energy of philosophical spirit is not to explain the world. Similarly, the mission of an artist is not to shout or explain, but to help you return to the spiritual life of mankind, find the meaning of life and spiritual life, and find the so-called “spirit” mentioned by Bogson It means spiritual life”, spiritual life is internal and continuous… Looking at Gulistan’s paintings, you will be taken into your own melody by the breath of her work (not simply intoxication, but the continuation of thinking and soul). This kind of spiritual and spiritual extension depends on the cultural capital of the audience’s soul. The moment and eternity are continuous… The process of extension is the most precious gift that Gulistan’s creation brings us.Traditional philosophy has always believed that time is like a river that never returns. It is one-dimensional, but here in Bergson, time can be superimposed and thick, because it is not one-dimensional, but multi-dimensional. Just like the impressionist and surrealist paintings show…

Bergson question: How do we distinguish between true continuous continuity and parallelism in spatialized time? “Think intuitively, just think in continuation”It is not necessary to explain “thought” with the concept of rationality, but the intuition state is the state of mind, and it is still in a state of mental continuity of “looking for lost time”. The word “memory” can make our thoughts more active than “feeling”, closer to duration…

Memory of the portrait － Roaming in the East

Let us follow Gulistan’s “Essence of Memory”, “Memory of the portrait”, and “Tales of time” into a continuous state, collecting the peace of mind in her creation, and we are in a noisy world Found quiet.

尚杰

中国社会科学院哲学所研究员、教授

Gulistan古丽斯坦创作的系列 “记忆的性质”、“记忆中的肖像”、“关于时间的传说”系列所传递出来的关于“记忆”不是人们所说的简单的“记忆”它是一种“文化记忆” 是Gulistan古丽斯坦特有的独特的个人生命经验，个人文化气质、气息及她独特的血源赋予她的“文化记忆”的综合体。

关于时间的传说 III

Gulistan古丽斯坦作品中始终流露出“诗性”和“音乐性”，表达出她潜意识的多样性，这种多样性不是同时展现的，这种多样性是意识流动中依次出现的，就像心灵伴随音乐旋律翩翩起舞，你只需要进入她画面的气息之中去吟诵它。

直觉和绵延是不能分析的，不能简单地去解释和定义，博格森称为直觉、共鸣，一种同时的暗含或者感应，即我与他物之间相互引入…进入…然后产生共鸣。在这个伴随互联网的信息时代，Gulistan古丽斯坦用“记忆的性质”唤醒着人类对精神家园的眷恋，对生命与直觉的提醒。哲学精神的能量，不是为了解释世界，同样艺术家的使命也不是为了呐喊、解释，而是帮你回归到人类的精神生活，找到各自生命意义及心灵生活，找到所谓博格森说到的“精神意味着心灵生活”，精神生活是内在而绵延的…

记忆的性质

看Gulistan古丽斯坦的绘画作品，被她作品中环绕的气息带你走进各自的旋律之中（不是简单的陶醉，而是思考及心灵的绵延）。这种心灵上、精神上的绵延取决于受众者心灵的文化资本、瞬间与永恒是绵延的…绵延的过程就是Gulistan古丽斯坦的创作带给我们最珍贵的礼物。

传统哲学一向认为时间就像一条一去不返的河流，是一维的，但是在博格森这里，时间是可以被叠加起来的，有厚度的，因为不是一维的，而是多维的，就像印象派和超现实主义绘画所展示的那样…博格森问题：我们如何区分真正绵延的持续性与空间化了的时间中的并列性呢？“直觉地想，就是在绵延中想”不用理智的概念解释“思想”而说直觉状态就是思想状态，且还是处于“寻找失去的时间”之精神绵延的状态。“记忆”这个词语比“感觉”更能使我们的思想活跃起来，更接近绵延…

记忆中的肖像－纯真年代I

让我们跟随Gulistan古丽斯坦的“记忆的性质”、“记忆中的肖像”、“关于时间的传说“系列一同进入绵延的状态，在她的创作中去收集着心灵的宁静，我们在喧哗的世界中找到了安静。